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By TheophileEscargot (Sat Sep 09, 2006 at 03:58:05 AM EST) Watching, Reading, OGP, MLP, ODGF, Politics (all tags)
Watching: "The Assassin Tree". Request: what should my Monster Raving Loony name be?


What I'm Watching
Saw the cheerfully anachronistic medieval sports movie A Knight's Tale. Fairly good: has some nicely cheeky touches like adding Geoffrey Chaucer as a fast-talking gambler, and a lot of earthy humour. Could have been better though: it's about half an hour too long; and the heroine's too unappealing for the romance to really work. She's astonishingly attractive for the first ninety seconds, but then she opens her mouth and a lugubrious monotone starts draining away the appeal.

Not bad entertainment overall though.

Reading
Having another crack at the audiobook of Rumpole and the Penge Bungalow Murders by John Mortimer, Kind of a prequel to the other Rumpole books, with the older Rumpole writing his memoirs on the case that shaped his career: throughout the other books he refers to the Penge Bungalow Murders as his great triumph.

Changes the format a bit from the other books, which are basically linked short-story collections: this is a short but full novel. Also the younger, up-and-coming Rumpole doesn't have quite as much underdog appeal as the rumpled old hack. Still has an interesting depiction of life in the 1950s, though the mystery is pretty slow unfolding.

Watching and Listening
Went to see modern opera The Assassin Tree at the Royal Opera House; new opera based on a story from Frazer's "The Golden Bough. Opera's not usually my cup of tea, but I'm trying something at the moment which I'll possibly end up calling Operation Get Out More.

So, not being used to opera in person, found the quality of the voices interesting. One of the things that puts me off is that they usually seem to me to aim for a very pure tone which doesn't really allow for much emotion: the hoarsest croak of late Billie Holiday seems to carry a freightload more feeling. When you're in the same room though, the expression seems to work a lot better, so along with the professional power and range it's pretty damn impressive.

In terms of the opera itself though, I just don't have the knowledge to judge it properly; but didn't really enjoy it after the novelty wore off. Could get the general gist of what was going on, but found the actual words hard to follow. Was mystified by most of the symbolism: assumed that if you were properly encultured and had read "The Golden Bough" it would all fall into place: but I went with an English Lit grad who's read it, and who professed to be equally baffled.

Also even though it was only an hour long, found the unrelieved portentousness hard to take. Even with a Shakespearean tragedy you expect things to lighten up occasionally, if only to make the gloom even more depressing when you plunge back into it: this had nothing but angst. Maybe that's an opera thing.

So opera in general: thumbs up. This one in particular: thumbs down.

Operation Don't Get Fatter
Down a pound to a reasonable 11st 7. Pretty pleased since on Friday not only fell off the wagon but bounced halfway down the street: toast and ham for breakfast; bacon and sausage roll for brunch; cheese and ham sandwich for lunch; three course meal of steak tartare, mussels, chips and half my companion's main course for supper; followed by Belgian waffle with ice cream and normal cream for dessert. Plus beer.

Operation Get Political
So, the vote was overwhelming for me to join the Monster Raving Loony party as well as the big three, and who am I to stand in the way of democracy. There's no online signup but will send off the form when I get to a printer.

What I need from you are suggestions for my Loony Name and Shadow Ministry. "Theophile Escargot" is a bit dull on its own. Theophile The Gibbering Snail Escargot would be more the right length. Only something good would be preferred.

Relieved not to have to join UKIP. Had mixed feelings on Respect: not a big fan of George Galloway; but after the Trot entryism of the 1980s, I quite like the idea of a Moderate Tendency infiltrating their party to steer them towards a sensible combination of social justice with economic stability.

Web
Stolen from B3ta: How to drink like a Russian

Pictures: Little People in London.

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Calling the Assassin Dog | 13 comments (13 topical, 0 hidden) | Trackback
Lost sundays by Vulch (4.00 / 3) #1 Sat Sep 09, 2006 at 04:21:41 AM EST

I had a Ukrainian russian living in my spare room for a while. We spent a number of saturday afternoons sat round my kitchen table with another russian lad (two men drinking, alcoholics. Three men drinking, just being sociable) drinking vodka and snacking. One of them would usually run up to Tescos and pick up a couple of hot cooked chickens, we always had bread available, they'd quite often have picked up some pig products from the Polish club, and we'd set the world to rights.

And it's true, we stayed remarkably un-drunk considering the usual session went through two bottles. It was just the next day with the "Urgh, I'm never drinking again..."

Apparently somewhere along the way I picked up a Moscow accent when saying "Nasdrovya!".



Cool pix. by ana (4.00 / 2) #2 Sat Sep 09, 2006 at 07:44:10 AM EST
Some of those "little people" pictures would go nicely with the "Ed Hulver and..." theme of the first writing fun challenge.

Regular, or decaf abomination? --Kellnerin


Name suggestion. by Christopher Robin was Murdered (4.00 / 4) #3 Sat Sep 09, 2006 at 02:48:10 PM EST
Sir Botswallow Vensus Witlag Gobson III, Esq.



bzzt by komet (4.00 / 1) #9 Sun Sep 10, 2006 at 06:59:24 AM EST
you can't be a Sir and an Esq. at the same time.

Or perhaps that was your point?

--
<ni> komet: You are functionally illiterate as regards trashy erotica.
[ Parent ]

I assumed the legitimacy of the thing . . . by Christopher Robin was Murdered (4.00 / 1) #10 Sun Sep 10, 2006 at 01:49:52 PM EST
Will be blown by the time people reach the "III." For, as everybody knows, the tragic Vensus Witlag Gobson line never produced a third Botswallow. Indeed, the very notion is preposterous. Given then that all pretense of mimesis is gone by then, I thought it wouldn't hurt to add the second title, as a sort of lagniappe for the observant reader.

[ Parent ]

Name suggestions by Herring (4.00 / 3) #4 Sat Sep 09, 2006 at 03:22:32 PM EST
  1. I am John Humpries and I am an Argumentative Tosser (in case you make it onto the Today Programme)
  2. Suspicous Brown Mark
  3. Anthony Charles Lynton Blair
Stealing from Python (the comedy team, not the scripting language) is lame, but "Charles Smith-Smythe-Smith" is a classic.

I'm English, and as such I crave disappointment. - Bill Bailey


interesting by spacejack (4.00 / 2) #5 Sat Sep 09, 2006 at 04:58:13 PM EST
anti-democracy rants from that Russian blog.



Hmmm by TheophileEscargot (3.00 / 2) #7 Sun Sep 10, 2006 at 02:57:24 AM EST
Interesting rebuttal too.
--
"Life is too short to be interested in everything, but it is good to be interested in as many things as are necessary to fill our days."-Bertrand Russell
[ Parent ]

Sopranos by Scrymarch (4.00 / 2) #6 Sun Sep 10, 2006 at 12:20:40 AM EST
I know it must mark me out as an opera n00b, but I find sopranos are much harder to deal with - the stereotypical ear-piercing thing - on a recording than live. I also found modern operas like Nixon in China more accessible than say the Magic Flute.

The Political Science Department of the University of Woolloomooloo



Opera... by Metatone (4.00 / 2) #8 Sun Sep 10, 2006 at 04:57:44 AM EST
I've found that you have to pick modern opera very carefully because too often they're just far too pompous. Many of the classics are more audience friendly in concept. I guess that parallels Shakespeare/modern theatre to some degree.

Of course, the trouble is, the classics of opera are mostly in foreign languages, which takes some of the crowd pleasing feel off.

The clips I saw of the Gaddafi Opera looked kind of interesting, but it again has the potential to be incredibly pompous, despite ADF's showmanship.




What's the difference between by Dr H0ffm4n (2.00 / 0) #11 Tue Sep 26, 2006 at 07:35:25 AM EST
modern opera and musicals?

E.g. Evita is which?

[ Parent ]

Arguably... by Metatone (2.00 / 0) #12 Tue Sep 26, 2006 at 07:59:14 AM EST
there is little difference and the distinctions drawn are part of snobbish convention.

But, the general form distinction is that opera is all singing. Musicals are a mix of singing and spoken dialogue. Obviously in reality, it's a spectrum and I am sure you can find pieces of both which are labelled so as to appeal to the right market rather than fit the dictionary description.

I haven't seen Evita. I'm under the impression it's a musical in that it is a mix of dialogue and singing.

I only knwo amateurs, but I get the sense that the distinctions are fairly real for the creators and performers, singing all the time/writing the entire plot in song is a different job to singing and dialogue acting/writing a play with plot sensitive songs included.

[ Parent ]

Ah, that might make some sense by Dr H0ffm4n (2.00 / 0) #13 Tue Sep 26, 2006 at 10:06:35 AM EST
Evita is billed as an opera. There is no dialogue in the original. The Madonna version may vary though.

[ Parent ]

Calling the Assassin Dog | 13 comments (13 topical, 0 hidden) | Trackback